See it. Feel it. Remember it.

Film, photography and event coverage

We shape the story before the camera rolls, then handle production and editing from start to finish.

What we do

Footage with a reason to exist.

A camera on its own does not sell a lodge, a product or a service. The decision about what to show, in what order, and who it is aimed at comes first — then we shoot to that plan.

We cover pre-production, direction, filming, drone work, photography and the full edit, so you receive finished assets sized for the places you actually publish.

Commercials and brand films

Short-form films that carry a single, clear message for launches, campaigns and company profiles.

Documentary and long form

Story-led pieces about people, place and process, cut for web, screenings or internal use.

Hospitality and property photography

Rooms, grounds, food and detail shots that hold up on booking platforms and in print.

Wildlife and landscape

Patient field work across Kilimanjaro and the northern circuit for tourism and conservation brands.

Product and studio

Clean, consistent product sets built for online commerce and catalogue use.

Events, interviews and drone

Same-day highlight cuts, speaker interviews and aerial coverage handled by one crew.

How it runs

A process you can follow from the outside.

  1. 01

    Brief and story

    We agree the message, the audience and where the footage will be published before any kit is booked.

  2. 02

    Plan and schedule

    Shot list, locations, permissions, crew and call sheet, shared with you in writing.

  3. 03

    Shoot

    Filming and stills on the agreed days, with directed setups and room for the unplanned moments.

  4. 04

    Edit and deliver

    Grade, sound, captions and versioning, delivered in the aspect ratios each channel needs.

Common questions

Before you brief us.

How far ahead should we book?

Two to four weeks is comfortable for a single shoot day. Multi-day productions with travel are best planned a month or more in advance.

Do you travel outside Moshi?

Yes. We work across Tanzania regularly. Travel, accommodation and permit costs are quoted separately and agreed before the shoot.

Who owns the footage?

You receive the agreed final assets with full usage rights for your business. Raw material stays archived with us unless the contract says otherwise.

Can you work from an existing script?

Yes. If you already have a script or storyboard we will review it, flag anything that will not shoot cleanly and produce from there.

Next step

Ready to plan the work?

Send us the outline and we will come back with scope, timing and a sensible budget range.

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